b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.  Related Paintings of Gerard David :. | The Judgment of Cambyses | The Rest on the Flight into Egypt | The Judgment of Cambyses | Virgin and Child with the Milk Soup | Camon Bernardijn Salviati and Saints Martin,Bernardino and Donatian |
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De Scott Evans
1847-1898 was an American artist who worked in Indiana, Ohio and New York. He was known for portraits, still lifes, landscapes and other genres. Born in Boston, Indiana to David S. and Nancy A. (Davenport) Evans. His father was a physician. Evans changed his signature to D. Scott Evans and later to De Scott Evans. He also signed paintings with the names David Scott, S. S. David, and Stanley S. David. He attended Miami University's preparatory school in the 1860s, studying with professor Adrian Beaugureau at Miami and later in Cincinnati. In 1873, he became head of the art department at Mount Union College and after several terms there, he moved to Cleveland to teach and to paint. From Cleveland, he moved to New York. He died along with 500 other passengers and crew, including his daughters when the French steamer La Bourgogne was rammed by a sailing ship in July 1898. Though he died at sea, there is a marker for him and his daughters in the Oxford Cemetery in Oxford, Ohio.
Elisabeth LouiseVigee Lebrun
(1755-1842) French Elisabeth Louise Vigee Lebrun Galleries
Jozef Chelmonski
(November 7, 1849 -- April 6, 1914) was a Polish painter. Chełmonski was born in the village of Boczki near Łowicz in central Congress Poland, Russian Empire. His first drawing teacher was his father (a small leaseholder and administrator of Boczki village). After finishing high school in Warsaw, he studied in Warsaw Drawing Class (1867--1871) and took private lessons from Wojciech Gerson. From 1871 to 1874 Chełmonski lived in Munich. He worked with Polish painters assembled around Jozef Brandt and Maksymilian Gierymski. He also had studied for a few months at the academy of H. Anschutz and A. Strahuber. In 1872 and 1874 Chełmonski visited the Polish territories (Poland as a country did not exist then), Tatra Mountains and Ukraine. His first paintings were done under the influence of Gerson. The works that followed were landscapes and villages. In 1875 Chełmonski went to Paris, where he had many important exhibitions and became known to the art scene. With many orders, the artistic level of his paintings decreased. From 1878 to 1887 Chełmonski visited Poland, Vienna and Venice. In 1887 he returned to Poland and in 1889 settled in Kuklawka Zarzeczna village. Contact with his homeland and nature revealed quality in his artworks. From that time are the best liked Chełmonski's paintings such as Partridge on the Snow, The Storks or Before Thunderstorm. Chełmonski represented the trend in art called "Polish Patriotic Painting". He died in Kuklawka near Grodzisk Mazowiecki in 1914.